Lost in Translation - Plotting

Have you ever tried to explain something to someone and the harder you try to get your point across, the harder it is to make sense?  You start to confuse yourself and YOU know what you were trying to say to begin with!!!  Somewhere amid the twists and turns your translation from idea to explanation got lost.  That can happen pretty easily with writing, too.  Doesn’t matter if it’s a book, an essay, a research paper or a letter you are writing to someone (seriously...go back and read some of the letters you’ve written...it's not hard to get off track).  The point is, to keep your writing on track you need some guidelines.  A map of sorts. Or a roller coaster. Both apply.

Now, now....all of you who are directionally challenged...take a deep breath and calm down.  This isn’t one of those OnStar maps that take you into the darkest alleys of downtown on the wrong side of the tracks when you were aiming for grassy meadows in the country somewhere.  This one you have control of.  And I do realize we are all different and our minds will need different types of maps to process things our own way.  Keep reading...there’s something for everyone (or at least something you can modify for yourself).

Regardless of its appearance....I’m going to call this map a Plot Map.  J  Plots can be a difficult thing when you're trying to write a story.  You start out with this great idea in your head but can’t seem to manage to give it a shape so that it is not only emotionally compelling but also holds itself together to the finish.  I’m going to try to make this as simple as possible...you can complicate it all you want to suit your taste when you start using it. 

Let’s think about your book the way Shakespeare would have.  Those who know me well know I adore Shakespeare. He was a genius, so he had to be on to something with this idea.  

ACTS.  No, I’m not referring to the book in the Bible (though I do recommend reading it), I’m talking about how to break your story into sections so it’s easier to fill in what’s going on.  If you break it into three Acts you’ve simplified right there.

Act I – 25% of your story

Act II – 50%

Act III – 25%

(Side note:  I did get the idea for the three Act format from reading somewhere, but I seriously suck at citing and it was something someone said to copy and use. I honestly would love to give credit where it’s due, but this is widely available and used on the internet, so cut me some slack.)

Ok, I’m going to add in a little to make it move along.  Feel free to copy and use the outline below.  Here goes:

Act I (25%)

Setup (Happens immediately. We meet the protagonist(s) and we get a glimpse of who they are and what they’re about.)

Plot Point 1  (Where the fun begins...the events that set the protagonist on his/her path.)

New situation  (Self explanatory...protagonist is presented with something new to deal with.)

Plot point 2  (Everything changes...first major event that sends the status quo spiraling into oblivion.)

Climax for Act I  (This climactic event makes it impossible for the protagonist to turn away from this new situation and go back to the life they led a mere 25% ago.)

ACT II (50%)

Seeming progress (the protagonist is at a point of making a plan to get out of the mess they’ve found themselves in.  The Antagonist is planning their own ways to achieve their goals.  More allies likely are introduced for both sides.)

Plot Point 3  (Point of no return.  The protagonist learns the full extent of what he/she is facing.)

Midpoint Climax  (An unexpected twist of events that should really be close to the midpoint of the book...and just when the protagonist seemed to be making some progress.  It’s about to get complicated.  Think Murphy’s Law....what CAN go wrong SHOULD go wrong.)

Complications and higher stakes  (The protagonist is tested.  Faces harder obstacles, harsher consequences if he/she fails.)

Plot Point 4  (Major setback for the protagonist.)

Act II Climax  (Increase the stakes and decrease the hero’s abilities...even set a deadline that has to be met.)

ACT III (25%)

Final Push (Crisis. Things can’t continue as they are.)

Plot Point 5 Climax (The final showdown between the protagonist and the antagonist.)

Aftermath/Wrap Up: (Ties up loose ends and foreshadows the future...because you KNOW you want to write another book)

Keep in mind...this could easily be changed to a FOUR Act scenario.  Just split Act II in half and use four 25% Acts if you feel you have more Plot Points and more climactic events to add.  It’s whatever works for you.

You can use any method you want to map this out: notecards, a story board, napkins from McDonald’s, that little triangle-mountain looking chart thingy they taught us in 8^th grade English...whatever works for you.  

I personally use MS Word and this outline.  It’s easier to add thoughts & details into Word than trying to rewrite the whole thing in my writer’s notebook.  That’s just where I jot down the ideas as they come to me.  But...like I said...everyone’s mind works in various, mysterious ways.

If anyone has any thoughts or tips for plot or character outlining they’d like to share that could help someone...let’s hear them!!!  Contact me or comment and we can get them posted so that other writers can benefit from your ideas as well.

Happy plotting everyone!!!  Try not to get lost. Or throw up. 

How Super is your Hero?

Ok, I’ll begin by saying - how awesome is my photo for this blog?  The moment I saw it, the wheels started turning.  Slow, curious, that’s-the-hottest-picture-I’ve-seen-since-Chris-Hemsworth wheels.  I couldn’t help it . . . there is just something about this photo that appeals to both my nerdy side and the swooning romantic that exist somewhere among the many facets of my inner female psyche. 

Best part . . . this is a photo of a guy I know, Darrell.  I batted my eyelashes and promised hoards of swooning women if he let me use it for my blog.  Oddly enough, he laughed.  I’m not so sure he believed me. I have hoards of female characters rattling around in my mind, I think that would count as multiple swoons.  So there.  Oh . . . and I will be using Darrell later as an example, but first . . .

Back to the topic: Superheroes.

I confess, I’ve been on a superhero kick since Ironman came out.  Let's face it, Tony Stark/Ironman is a well written character.  But what does Tony have to do with his alter ego?  Well, what any man would really.  You see, the other day I came across an article (while hanging out waiting for an appointment) about men and superheroes.  According to Cosmo, the superhero a man tends to prefer says a lot about him.  I didn’t get to finish the article (yes, I contemplated asking the receptionist if I could take it with me, but I opted against it solely on the principle of being caught with a Cosmo in my possession), but it did spark a question or two.  I’ve never been one to scour the pages of Cosmo for advice on men—pretty sure Cosmo can’t help with the issues most of us have with men anyway—but I think they were on to something here. 

What can a guy’s preference for heroes tell us about him?

Let’s take Darrell, for example (I will likely hear about this from Darrell later).  I happen to know for a fact that Superman is, indeed, Darrell’s favorite superhero.  So, what does that say about Darrell? 

Well . . . since Superman is the archetypical “nice guy” and a guy who digs the Man of Steel usually has the same traits, it says that Darrell is most likely loyal, steadfast, and inclined to believe that people are essentially good.  He’ll be there, ready to save the day if needed.  And he probably has a thing for women with a penchant for curiosity who love to write (I know a few Lois Lane types, just sayin').

So, while I may not need Darrell to save me from a burning building any time soon (although this is me—there’s no telling what I could get into and be in need of rescuing from) it does give me some insight into what makes him tick, maybe even tock. 

If he were more of a Batman kinda guy, I’d tend to think he would be a bit of a loner, prone to not letting people get too close to him and therefore only date superficial Barbie types who couldn’t hold a meaningful conversation if someone spoke for them. 

The Hulk?  Hmmm . . . maybe he lets his emotions get the better of him (or he’s just bi-polar . . . it could go either way).

My point is this: If you want to delve a little deeper into the character you are writing—hero or not—try thinking about which superhero would be his (or her) alter ego.  Whom would he/she mimic if push came to shove?  (You could also turn the tables and use the super villain thought process on your antagonist)

I’d love to hear what superhero YOU would choose as your alter ego!  Or, you could just comment on Darrell’s photo.  After all . . . I did promise him swooning.

 

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Character Development - Hold on Loosely

Recently I began taking a writing class.  Because you know...I just had sooo much free time on my hands, I felt like I needed to fill it with something.  Actually...I wanted to take it way more than any of the college courses I’m taking.  Helloooo...it’s a WRITING class.  I LOVE writing.  Biology...not so much.

Anyhow...It’s being taught by author Candace Havens (you should absolutely check out her work!  http://www.candacehavens.com/  ) & I am only a week into it, but I can tell it’s going to really give me a push in the right direction with my literary endeavors.  (See...using professionally sounding verbage already)

Our assignment this week partially focuses on character development. Now, as we all know, I am not yet a published author...heck, I’m not even finished with the first manuscript...but I am an avid reader, and for me...the characters pull me into a story quicker than the plot does. I’m easily fascinated by a complex character. Characters can make or break a novel.    

One of our questions this week was “What do you want your characters to say to the reader?” My first response was that I want my characters to say “I am real.  I exist.”  I want them to get in the reader’s face and say “Do you get it yet? Don’t you want to know more?” In other words...I want the reader to feel so engrossed by my characters that they think of them as a REAL PERSON. Someone they know. Someone they can relate to.  I want my reader to become emotionally involved. To me, THAT is what will make my characters come to life, make my readers want more.

The truly great characters aren’t the perfect ones. They are flawed. They have limitations to overcome. They have to grow into who they are meant to be. If they were perfect...well, they’d just be completely unrealistic and boring. I don’t like boring. Not in real life and not in my writing. Besides, perfection is highly overrated.

So, in order to try to keep my characters as imperfect as you and me...I use the character development tools that I’ve acquired and refined over the past year or so. I have a few that help me flesh out the deep, dark complexities of my fictional entourage. The one I always start out with is my Character Development Sheet (click the link to download it & use it yourself).

I’d love to be able to give credit where it’s due, but the truth is...I got ideas from so many different places, Frankenstein would be jealous. Some thoughts are mine...some are from other minds far, far away. (Susan...be nice...I can hear you from across the state line – my mind isn’t THAT far away) Regardless of the sources...hopefully, the final product will be useful.

Planning your characters out is super important. You need to know how their personality factors into the story, how they will move the story along. Just like in life...it’s hard to know which way to go to get where you’re going if you don’t have some direction. Your character needs direction. However...don’t smother them. Hen pecking your characters will only turn them into teenager-like mutineers who roll their eyes at you and make faces behind your back when you try to force them in a direction they don’t want to go. You have to let them be free to express themselves and find their own paths sometimes too...much like teens. Hold the reins too tight...you’ll lose them.

Thoughts to ponder...

If a cow laughed would milk come out of its nose?

If a turtle doesn't have a shell is he homeless or naked?